New Wave Cinema In India- Changing Story of Bollywood
Indian
Cinema is known for its melodrama and over the top treatment of song-dance
sequences. This is the identity of every Indian film whether it is a Hindi,
Tamil or Telugu language film. Almost all Indian movies have song and dance
sequences with high melodramatic themes and people of this subcontinent love
it. This has given a unique identity to the Indian movies worldwide. But is
this situation changing? Song and dance will no longer be featured in the
movies or it is just an assumption? Why I am saying this?
Indian
Cinema lovers are aware of the fact that during 1970's and 1980's there was a
wave of parallel cinema with strong depiction of realism, naturalism and
serious content based on socio-political situations. Parallel cinema was an
alternative to the mainstream cinema, which was not so real but full of
entertainment, fun and audience love every bit of over the top song and dance
movements. But parallel cinema died its own death soon because, it has almost
nil commercial success and nobody can deny this though it is highly creative
medium but it is a serious business too. Slowly film makers like Shyam Benegal,
Saeed Akhtar Mirza, Govind Nihlani, Mahesh Bhatt, Gulzar, Gautam Ghose either
stopped, slowed the pace of making realistic cinema or moved to the popular and
commercial genre and actors of parallel movies like Naseeruddin Shah, Om Puri,
Smita Patil, Shabana Azmi, Amol Palekar, Pankaj Kapoor etc. also switched to
mainstream cinema for greener pastures.
Now with
the rising numbers of multiplexes in the major cities a new wave of cinema has
arrived. With the liberalization and privatization Indian economy also changed
and thus created a lot of innovative opportunities. New filmmakers do not
hesitate to experiment with the medium and with the subject. They made low
budget movies like Matrubhoomi, Dev D, Gulal, Peepli Live, Iqbal, khosla ka
Ghosla, A Wednesday, Bheja Fry, Shor In The City, Dhobi Ghat, I Am Kalam etc.
Since Hydrabad Blues (Directed by Nagesh Kuknoor) release in 1998 each year new
wave cinema makers are making films and finding audience in the multiplexes as
well as on DTH networks. New and some established production houses also daring
each year by releasing films with bold, realistic and almost no song and dance
sequences. But still a large number of films feature songs and dances in the
movies. Well known filmmaker Sanjay Leela Bhansali said that the new wave of realistic
cinema shouldn’t undermine the ‘Bollywood stamp of melodramas’. And this
argument seems carry a valid point. Undoubtedly new wave of India cinema
has given a fresh dimension in the industry but melodramatic treatment, song
and dance sequences will remain an integral part of the movies. These things
are basically derived from the culture which is so colourful and full of song
and dance rituals. Not a single occasion in the country is complete without its
mandatory songs and dances. Even some new wave cinema makers understood this
very fact early and they are incorporating it into their kind of movies. After
all, this is essentially Bolloywood style of filmmaking.
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yes...very true
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